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	<title>Comments for Shane White</title>
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		<title>Comment on Things Undone by Shane</title>
		<link>http://shanewhite.com/shop/things-undone/#comment-2</link>
		<dc:creator>Shane</dc:creator>
		<pubDate>Sun, 09 Oct 2011 04:30:04 +0000</pubDate>
		<guid isPermaLink="false">http://white.alchemycs.com/?post_type=product&#038;p=180#comment-2</guid>
		<description>&quot;Rick Watt is a mopey twentysomething who moves jobs from Philadelphia to Seattle -- and, in flashbacks, moves from one girlfriend to a prettier model -- without budging his massive mopey depressiveness. White shows the mopiness and depression by having Watt slowly turn into a zombie, complete with body parts falling off -- and that&#039;s a great visual metaphor...except that it doesn&#039;t make up for the fact that Watt has no real reason to be mopey and annoying. His new job isn&#039;t going as well as he&#039;d like it to, but he&#039;s also just being a jerk, particularly to his girlfriend, Natalie.

White is going for existential ennui, or maybe a quarterlife crisis, but, really, it&#039;s just that Rick is a passive-aggressive jerk who can&#039;t communicate effectively with either his girlfriend or his co-workers. He gets a happy ending of sorts by learning to have &quot;backbone,&quot; which is precisely the wrong lesson -- Rick needed to be able to talk, not to fight.

The zombie motif is artistically interesting, but the moments of greater zombification aren&#039;t consistently related to Rick being more beaten down and dehumanized; more often, they&#039;re a product of his own anger or lack of attention. There&#039;s nothing wrong with Rick that a bit of slowing down and paying attention wouldn&#039;t cure; he&#039;s not a zombie, just a self-absorbed guy who thinks he deserves to get better than he gives.&quot; -Andrew C Wheeler</description>
		<content:encoded><![CDATA[<p>&#8220;Rick Watt is a mopey twentysomething who moves jobs from Philadelphia to Seattle &#8212; and, in flashbacks, moves from one girlfriend to a prettier model &#8212; without budging his massive mopey depressiveness. White shows the mopiness and depression by having Watt slowly turn into a zombie, complete with body parts falling off &#8212; and that&#8217;s a great visual metaphor&#8230;except that it doesn&#8217;t make up for the fact that Watt has no real reason to be mopey and annoying. His new job isn&#8217;t going as well as he&#8217;d like it to, but he&#8217;s also just being a jerk, particularly to his girlfriend, Natalie.</p>
<p>White is going for existential ennui, or maybe a quarterlife crisis, but, really, it&#8217;s just that Rick is a passive-aggressive jerk who can&#8217;t communicate effectively with either his girlfriend or his co-workers. He gets a happy ending of sorts by learning to have &#8220;backbone,&#8221; which is precisely the wrong lesson &#8212; Rick needed to be able to talk, not to fight.</p>
<p>The zombie motif is artistically interesting, but the moments of greater zombification aren&#8217;t consistently related to Rick being more beaten down and dehumanized; more often, they&#8217;re a product of his own anger or lack of attention. There&#8217;s nothing wrong with Rick that a bit of slowing down and paying attention wouldn&#8217;t cure; he&#8217;s not a zombie, just a self-absorbed guy who thinks he deserves to get better than he gives.&#8221; -Andrew C Wheeler</p>
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