You know it’s one of those things where you sort of have this cool expressive sketch and then you start adding layers onto it, believing the whole time that there’s something worth a damn that could be made. It’s a slippery slope of seek and destroy as ideas flood in and you’re trying to make a valid reason for this character to be in this pose. And that’s the thing, POSING is so terribly obvious, so contrived. I personally don’t like it. I’d rather have the character doing something a reason for being–and yet, here we are.
Anyway, it’s always a struggle and a lesson but in the end you have to take what you can from the experience and move on. C’est la vie.